From a series of Phantom Radio transmissions by Ane Ostrem – recorded by Valentijn Goethals – Arnhem – NL. April 2012. Limited edition of 250 copies

DAI Publications is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). The 2012 edition consists of 13 publications developed in the context of ‘Publishing Class’ a two year course designed by Casco – Office for Art, Design and Theory, delving into the act of publishing as a critical art practice, both as a way to make things public – forming publicness – and as a from of dissemination beyond time and space constraints.

The book describes a journey to the most silent place in the Netherlands and it is designed as a musical score.

This book offers a glimpse into all of the rooms and reception areas in the Modez Hotel of fashion and design in Arnhem. By means of words and pictures it explores the ideas behind the creation of each room as well as the design process and the designing of Piet Paris’ s Gesamtkunstwerk as a whole.

In December 2011 Stefano and Eva worked together on an exhibition in a small artist-run space in Nijmegen, the Netherlands. The exhibition was called At the end of the world I exist and consisted of two diverse installations. The work on display was mirroring an ongoing discourse about traveling, distance and the transportive potentialities of the image starting from each our interests – respectively photography and architecture. Six months later, they organized an event at Schloss Ringenberg, Germany. During the night the work took the form of two presentations and a book, in order to broaden the performative side of the installation presented before and to transport the previous space into the new room, the Rittersaal. The presentations and the book touch, amongst other things, upon a postcard from Tenerife and the portrait of Emily Dickinson, respectively the features of the two specific exhibition spaces and the furniture that inhabits them. Artist and writer Miek Zwamborn was invited to write a contribution to the book as a third link. The sentence At the end of the world I exist was used as a point of departure point for a short story titled Legacies of the moon.

A bibliographic Bridge. Facsimile of Bridges: a project series for young people by Anne and Scott MacGregor. Texts by Manuel Zenner. Edited by Paul Elliman.

Manuel Zenner’s work is focused on the transitional effects of connectivity. This poster is a partial bibliography for his work, which he has tried to extend into a sort of classification of bridges, or of what bridges do. Manuel couldn’t think of a better way to describe what his work is about or how he wants it to operate than by reflecting on the different aspects of connectivity performed by that common but essential structure of civil engineering that we know as a bridge.

This 12-inch vinyl record is the result of the WT speelplaats 2010-2011 program, curated by Boris Van den Eynden and Ines Cox. They proposed a specific formula upon the concept of emancipation found within Jacques Rancière’s The Ignorant Schoolmaster (1991). The record does not aim to provide an explication for what speelplaats 2010-2011 was.

Declaration ‘Improve your surrounding with a small gesture, achievable in a day’
Proof ‘Take a photograph of the improvement’
Concept ‘The declaration and its documentation are the material for a poster. Write a brief for the poster. Aim for a result that reflects your conception of Dutch Design.’
Poster ‘ Make three poster, following three different briefs. Print them in postcard format’

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This book is a photo book of an archive, or attempt to make an annex of Library of Light, archive which gives identity to Cosmic People (www.universal-people.com). With a focus particularly on this artificial archive, as a construction of fictions whose task is to produce a collection of effects of the real, idea of this book is to explore archives not as merely passive repositories, but rather as powerful tools that can be used to shape society, politics, and culture.

Each year Werkplaats Typografie organises its “Best Books” selection: every participant chooses a book according to specific criteria. The criteria for the 2012 selection derived from a discussion with Kobe Matthys from Agency, Belgium. The resulting publication collects conversations and meetings with and around books with Kees Beentjes, Katherina Bornefeld, Tamara Henderson, Harmen de Hoop, Oliver Ibsen, Colter Jacobsen, The Librarian at Arnhem’s Public Library, Henk Pel, Seth Siegelaub, Matthew Stadler, Joëlle Tuerlinckx, and Ashleigh Young.

Marianna La Rosa Maruyama works through notions of resistance, weariness, and return. If anything could be assumed or imagined to have challenged the question of how to live together, it is that which occurs in the space of catastrophe, in this case, the earthquake and subsequent nuclear disaster in Fukushima, Japan.

Publishing Class III HOW TO LIVE TOGETHER series published in collaboration with DAI, WERKPLAATS TYPOGRAFIE, and CASCO Office for Art, Design and Theory (Utrecht). With contributions by David Maroto, Hanan Benammar, Larraitz Torrez, Maja Hodoscek, Marianna Maruyama, Padraig Robinson, Daniel Frota, and Christian Nyampeta, and also with Janine Armin, Binna Choi, Benjamin Thorel, and Yolande van der Heide as editorial team.

This publication by Padraig Robinson and Daniel Frota was made in context of Publishing Class III: How to Live together, DAI. This publication was devised in the model of a conversation in collaboration with designer Daniel Frota, where the act of writing was used to explore the “idiorrhythmic” nature of the discourse around images.The starting point was an image published on The Guardian’s website on Monday 18th February 2013, which is an Instagram image said to be depicting a Palestinian boy in the cross hairs of an Israeli sniper’s rifle zoom. The distinct texts between artist and designer perhaps suggested that the nature of such pictures in general, even those that could be considered “political” at a given moment, have a very unusual condition within the online, digital circulation of social networking. The writing created a problematic regarding the agency of vision, based on an "ethical reaction" for an other we will never meet via image media. This is discussed, and indeed averted, through two individual perspectives — or a fragment of writing about vision. 

Class Breaks was made in close collaboration with the artist Maja Hodoscek’s sister Zala who at the time of the book’s development was just finishing elementary school. For several months Zala secretly filmed activities at her school during class breaks. She was especially interested in shooting her closest classmates, Nik and Urh, and engaging in a series of discussions throughout the school. The book consists of fragments from these conversations. As the students touch upon political issues, their own position within institutional structures, and their relationships, Class Breaks provides stimulating insight into the social dynamics of the school environment.

How to Live Together series, the third edition of Publishing Class, focuses on writing and publishing as a speculative tool and as a conduit through which communities are fostered. Over the course of a year the class sets out to ‘publish’ individually and / or collectively, with the aid of monthly guests. It is inspired by Roland Barthes’ seminal 1977 lecture series that bears the same title. In that series Barthes developed the concept of ‘idiorrythmy’ to express a possible way of living together that preserved individual rhythms. Special guests to the class include: Hong-Kai Wang, Tea Hvala, Christian Nyampeta, Ayreen Anastas & Rene Gabri (16 Beaver), Pieter Verbeke & Elisabeth Klement (San Serriffe), Benjamin Thorel (castillo/corrales)

Art at Large is a compilation of essays by art historian Marga van Mechelen. It explores the characteristics of Performance and Installation art, emerging forms of art in the early seventies which defied the notions and boundaries of medium-based approaches to contemporary art. In the essays special attention is paid to the intertwinement of different fields and to the mixing of disciplines. In this sense Performance art and Installation art today can be seen as perfect representatives of current developments in Postmodern art and the confirmation of the idea of an art at large.
Handwritten by Ilke Gers

The Fantasy is the culmination of a period of research into tensions within the dilapidated Dutch city of Almere, and its failure to realize an architectural plan to become a utopian haven. The book takes the form of both travelogue and timeless voyage. Three characters, based on the city’s actual residents, share accounts of a fictional trip that traces a route based on small irregularities, curiosities and almost invisible details that were uncovered while wandering through the city. The Fantasy is a work of fiction, which, in merging social, political, and urban investigation with street observation, emphasizes how daily urban situations and invisible street practitioners define geopolitical conditions. This book belongs to the Publishing Class Collection How to Live Together Series published by CasCo Art Institute, Utrecht.

How to live together is also the name of a collective publication Artists from the DAI and Casco publised in september 2013. SEQUENCE INTERIOR NIGHT, is one of them based on the arrangement of memories of a party. Images as memories are also the lyrics for 3 songs.

The South Highway is a gamebook. Part story, part game, this is a book with a difference –one in which you become the protagonist. The narrative changes according to your decisions on which path to follow, the actions to carry out, and the answers to give to other characters. It is you who interacts with the others inside the book, and thus are responsible for the protagonist’s vicissitudes. You will need all your wits about you to go through the unexpected that lies ahead. Apparently trivial situations can lead some time later to a serious outcome in which your own life can be at stake. Thus, choose your actions carefully!

The Finding & Raising of Anchors of Barges and Steamers plays with forms of content structuring and editing, based on research into knowledge management systems and Wikis. The book is made up of documentation of Quenton Miller’s artworks presented next to manipulated republished texts interspersed with annotations and footnotes. The design of the project involved implementing an updated idea of medieval rubrication, which sits on top of and along side the body text, spot printed in Pantone Green.

The first issue in the series TRANSLATION IN THE DARK features the first and only translation from Amharic into English of selections of Ethiopian novelist Abe Gubegna’s seminal novel “I Won’t Be Born” (1962). Part 1 also proudly features a new translation (Amharic into English) of poetry by contemporary Ethiopian artist and poet Mihret Kebede. As a series, TRANSLATION IN THE DARK embarks on a mission to employ unorthodox translation methods with the intention of honoring the misunderstandings, mishearings, missed translations, and misinterpretations that multiply and deepen meaning. As a fundamental part of this aim, the series offers a method for the redistribution of roles of author, translator, publisher, editor and reader.

Publishing Class is an imprint of DAI Publications, a collection of artists’ books jointly published by the Dutch Art Institute (DAI) and – Office for Art, Design and Theory in collaboration with the Werkplaats Typografie.

Publishing Class is an imprint of DAI Publications, a collection of artists’ books jointly published by the Dutch Art Institute (DAI) and – Office for Art, Design and Theory in collaboration with the Werkplaats Typografie.
A Thing Called Time is a serial publication project in which different understandings of the concept of time are explored. Using a specific area of knowledge as a starting point. For issue #1: Biological Time, the team invited Dr. Marina Escalera, a molecular biologist who’s main research involves searching for new viruses in the anal swamps of vampire bats. The next publication, Issue #3: Mathematical Time is currently being worked on in collaboration with Felipe Garcia Ramos, a mathematician who is focused on the study order and chaos.

Yetta Bronstein, as a 48-year-old house-wife from the Bronx, ran for President in 1964 and again in 1968 as the candidate for the Best Party. Her slogans were “Vote for Yetta and things will get betta” and “Put a mother in the White House.” The publication houses an interview with Alan Abel (1930), the man behind all these characters including creator of Yetta. Alan was an American prankster, writer and filmmaker who frequently appeared on television, radio and newspapers with his scandalous and provoking undertakings. During the interview the discussion seamlessly flows from one prank to another, from one juicy detail to the next. Along the way his relationship to theatre and the media are discussed, as well as his approach to work.

The series Exercises in Practical Mischievery takes a closer look at notable groups and individuals in the production and implementation of various out of the ordinary forms for the distribution of word and thought. This includes using and manipulating existing media channels but also inventing new tools and methods. How could daily theatre be put to work for our benefit in regard to sharing information in our immediate surrounding? The collection, aspiring to become an encyclopedia of sorts, is intended to serve as a catalyst in thinking of freely accessible tools for the dissemination of thought. In this series we will introduce you to: Jan de Jong, Fritz Rainer, Andy Bichlbaum & Michael Bonanno, Yetta Bronstein and (Mrs) Edna Welthorpe. The series is edited by Aubrie Savage .

This first issue in a serial publication is inspired by a house located in the coastal town of La Marsa near Tunis. Taking the house’s close proximity to a gallery and a bookstore as a starting point for thinking through the book’s structure, the place quickly became both a literal and metaphorical character. The house is interesting not only in a historical sense, or for of the role it plays within the community, but due to its strong position as a host and the politics of hospitality it supports.

Casco – Office for Art, Design and Theory as the associate partner for Arts Collaboratory co-organizes the first Arts Collaboratory Assembly in Jakarta, together with Stichting Doen, Hivos, ruangrupa, and KUNCI Cultural Studies Centre. The Assembly brings together the 24 participating organizations of the network in Indonesia for a week-long series of encounters. It centers around a series of working groups addressing a variety of topics including crisis and post-crisis sites, alternative pedagogies, urban intervention, rewriting (art) histories in terms of organizational practices, ethics & aesthetics, commons, and different curatorial methods. The local hosts raungrupa and KUNCI have also arranged for visits to a number of local art and cultural spaces.

Analphabet Orchestra, are sessions of a group of people dividing their practice in two main situations. One is about talking about artistic processes (first intentions, transformations-if they are-, and results) and the other is playing music. In between and around those two, there is a place of comparisons, analogies and invisible sparkled facts for a common research.

Flamin’ Stars is a collaborative sound work by artist and writer Sarah Jones, sound producer Julika, and designer Ivan Martinez. The hour-long narrative piece, reminiscent of a radio drama, is based on a series of short, poetic texts developed during a residency period in Texas in 2013. Flamin’ Stars readdresses
notions in a contemporary context through a personal engagement with landscape and movement by three artists from different backgrounds. The work travels through, along, and at times ruptures contemporary dialogue around border landscapes, race, movement and environment. It hopes to go beyond the written and the spoken, into and then somehow beyond the specific context of the West Texas desert landscape.

https://soundcloud.com/sarah-v-jones/flamin-stars

The Bed Room Barn uses the Craigslist dating forum as a resource to explore the way in which the anonymity provided by the Internet is used to project human desires, truths, and indulgences. It specifically explores those entries which have a specific use of the English language to propel their content and meaning onto the reader, promoting these truths, indulgences, perversions and desires beyond the “self” and onto the “other."

‘Teaching Objects’ is a journey through art and culture. Jeroen Lutters takes us to see a number of artworks that give new insights into the foundations of twenty-first century civilisation and humanity. In this highly personal and passionate account, he discusses his individual choice of great works works that not only reflect the history of Western culture, but also continue to be a source of inspiration and meaning.

This book is based on the conversations carried out by a group of eight people with different backgrounds while driving from the Werkplaats Typografie Arnhem, The Netherlands, to Venice, Italy. The conversations were initiated and conducted to observe the evolution of a narrative through time and space, according to give conditions and random factors. The intention is to test the boundaries of language, and to foreground the peculiarities of communication through observations and perception of the WT participants.

WT reader with contributions by Amir Avraham, Fred Cave, Yana Foque, Daniel Frota, Virginie Gauthier, Daria Kiseleva, Mathew Kneebone, Fay Kolokytha, Menelaos Kouroudis, Jungmyung Lee, Ivan Martinez, Laura Pappa, Christine Pogatchnik and Maria Jimena Sanchez. Edited by Daniel Frota, Menelaos Kouroudis, and Maxine Kopsa.

‘If magic is sometimes very close to nothing at all, it might be indeed possible to mistake one for the other. No wonder language found its origin in myths. This summer reader is about the cup of coffee that keeps us awake every morning. How much of it has to do with caffeine and how much of it with our will to believe in rituals? Amen’.

Discipline is a publisher and contemporary art journal edited by Nicholas Croggon, David Homewood, and Helen Hughes. Alongside artist pages and interviews, it publishes research essays about contemporary Australian art, and histories and theories of contemporary art as a global industry or phenomenon. For each issue a guest editor, from somewhere else in the world, is invited to contribute a guest edited section. Guest editors since 2011 are: Vivian Ziherl, Maria Fusco, Raimundas Malašauskas, and Ferdiansyah Thajib, KUNCI Cultural Studies Center.

International Trade Lawyer Solomon Digby Ryan is suffering from initial symptoms of corporate burnout i.e. erratic nocturnal habits and seborrheic skin conditions. Late one night in the Giblin Eunsen Library (while conducting routine trade investigation) SDR stumbles upon the unfortunate death reports of a Japanese Bacterial Plant Pathologist who helped influence the import / export practices of the global apple trade. Disturbed by the horrifying accounts he begins to question the impact of his own personal actions on a larger bureaucratic system before uncovering an abandoned model of the Keynesian System. In the next 24 hours he quickly learns how individual actions have a virulent and lasting power. 

“Fully submerged in the damp earth, I was deprived of visual sensation… Perhaps due to the mesmerising emptiness of the black void or else the lack of oxygen, my eyes soon made images of their own. Pulsating wires entangled before me and emitted an eerie green glow before surging brightly then fizzling away like fireworks. This combination of oscillating blotches and meandering lines crept from the corners of my vision like the growing outlines of a nervous system…”
Mechanical System Drawings Vol. 2 brings together a collection of drawings by Mathew Kneebone whose practice encompasses writing, performance, sculptural installation and drawings. As a child, Mathew’s sister was struck by lightning during a family trip, an event which could have triggered the corpus of work Mathew is working on to this day.

Mass employment inside personal identity encryption, computer face recognition and demographic marketing industries has given rise to a society of individuals frozen in emotional responses. Trapped inside a population riddled with autistic spectrum and dementia-like symptoms this dark tale tracks an unusual encounter between a man and woman trying to preserve the final strands of their own emotional interiors and hoping to trigger human empathetic responses needed for human survival inside a robotic vacuum of state surveillance and personal identity destruction.

Online contact has been re-established with a disappeared location scout who mysteriously vanished in late 2001 during an eight-day film location visit to an abandoned site in the Hoge Veluwe—an isolated woodland area in the province of Gelderland, The Netherlands. Using fragments of archived interviews an amateur music journalist reconstructs the specific events that took place that fateful day.

In a time when the earth has been mined to a point of no return and the commons are more and more enclosed, this artists’ book questions, offers tools and ponders the possible entanglements of art and agriculture, land, (agro-)ecology, rural knowledges, commoning practices and forms of resistance.

The INLAND Volume brings together 20 artistic contributions on these themes; a map of rural art initiatives in China that will grow in time, a grafting manual in which we follow the capable hands of a Greek farmer, a Facebook message thread about the role of women in the Kurdish countryside, a retrospective announcement of an eco-feminism reading group and a conversation about Goethean science, among many more unearthings of situated knowledge.
http://www.cascoprojects.org/publishing-class-v-inland

From colonial history to ecology, and from public space to colouring outside the lines: each Karbon Arnhem File publication highlights a particular issue. In the process, artists, writers, researchers, activists, collectives, designers, and many others work closely with the Editorial team. This results in a cacophony of voices asking critical questions about our daily reality. Karbon Arnhem Files is inspired by ruangrupa’s own Karbon magazine, and brings together experimental art and design practices. The whole series consists of six publications.
Language : Dutch

From colonial history to ecology, and from public space to colouring outside the lines: each Karbon Arnhem File publication highlights a particular issue. In the process, artists, writers, researchers, activists, collectives, designers, and many others work closely with the Editorial team. This results in a cacophony of voices asking critical questions about our daily reality. Karbon Arnhem Files is inspired by ruangrupa’s own Karbon magazine, and brings together experimental art and design practices. The whole series consists of six publications and is also available in our shop.
Language: Dutch

From colonial history to ecology, and from public space to colouring outside the lines: each Karbon Arnhem File publication highlights a particular issue. In the process, artists, writers, researchers, activists, collectives, designers, and many others work closely with the Editorial team. This results in a cacophony of voices asking critical questions about our daily reality. Karbon Arnhem Files is inspired by ruangrupa’s own Karbon magazine, and brings together experimental art and design practices. The whole series consists of six publications and is also available in our shop.
Language: Dutch!

From colonial history to ecology, and from public space to colouring outside the lines: each Karbon Arnhem File publication highlights a particular issue. In the process, artists, writers, researchers, activists, collectives, designers, and many others work closely with the Editorial team. This results in a cacophony of voices asking critical questions about our daily reality. Karbon Arnhem Files is inspired by ruangrupa’s own Karbon magazine, and brings together experimental art and design practices. The whole series consists of six publications and is also available in our shop.
Language: Dutch!

From colonial history to ecology, and from public space to colouring outside the lines: each Karbon Arnhem File publication highlights a particular issue. In the process, artists, writers, researchers, activists, collectives, designers, and many others work closely with the Editorial team. This results in a cacophony of voices asking critical questions about our daily reality. Karbon Arnhem Files is inspired by ruangrupa’s own Karbon magazine, and brings together experimental art and design practices. The whole series consists of six publications and is also available in our shop.
Language: Dutch

This is a set of sample material only to be used for the deconstruction of a process. It contains a set of eight posters presenting a research on glass blowing production.

Phantom Radio is an occasional radio station of the Werkplaats Typografie broadcasting live at irregular intervals. This booklet, published during WT’s residency at HMCT Los Angeles contains an introduction, a water analogy, a beginner’s guide to radio, a manual for the Phantom Radio, a series of drawings by Mathew Kneebone, conversations with Luke Fischbeck from Kchung, Alejandro Cohen and Ajay Ravi from Dublin, and a postcard from Redondo Beach. Made possible with the generous support of the Typography Center.

The Griefers of Bandung, a novella written by 14 authors. A gripping romantic fantasy shifting with fiendish aplomb between characters and voices, perspectives and plotlines. ‘Elsemieke has just spent the last three months in Bandung, searching for love and fighting alongside a local activist collective. Meanwhile, her virtual avatar Virgo has become a resistance hero involved in weapons-trafficking, corporate-boycotts, rally-organising, illegal-fundraising and cybertheft. It turns out the effects of these operations are not limited to cyberspace.’

This publication is the result from a workshop with Tom Clark at the Critical Studies department of the Sandberg Instituut. The bound texts were written beforehand, responding to a prompt on the theme of “proximity”. The loose-leaf text, an “editorial”, was written and edited during the workshop and reflects on the process over those three days.

Shelf Life is a special publication with thoughts and texts and images by Jin Kwang Kim (and Paul Elliman). Jin’s work falls between a twin interest in spirituality, which can refer to the search for meaning in present life, and spiritualism, which often refers to a communication with a non- living spirit world from the past or the future. Both terms are formed by the word spirit, which itself derives from Latin spiritus “breath”, and therefore usually relates to non-physical substance in contrast with material things or the corporeal body. In this publication Jin follows his interest in language and graphic design as something that exists in both material forms and as part of a more ethereal or metaphysical spirit of life.

The structure of the book is turned inside out: beginning and end are placed next to each other in the middle of the book. This situation allowed to insert pages between the title page and the colophon that, however, remain outside of the narrative. It’s a paradoxical space that is created, physically part of the book but logically external to it.

In this photobook, Anneke D’Hollander investigated the interior of an apartment that seems inhabited by the phantom presence of its dweller.
By abstracting the look book format, this publication documents the traces of a remote connection between the kingdom of virtual reality and a domestic landscape. It shows the so-called “SlothLife” lifestyle in an intriguing, yet confronting way.

“…someone who is living the SlothLife went through many years of fine-tuning the art of doing absolutely nothing, even though it appears shit’s getting done. A senior sloth has very minimal care and kicks back by spending life for what very little they feel like doing. Once you’re living the sloth life, all you need to worry about is where your next meal comes from, and who’s bringing it to you.”

Eigengrau  2015 – 2017, an ongoing study of the positive afterimage and its effects.
The phenomenon of the positive afterimage is created when a person, standing in dark room, experiences a sudden and short flash of light. This results in a ‘positive’ afterimage of whatever the person was looking at at the time the flash went off. This image is ephemeral in the sense that it dissipates within seconds of being created but at the same it creates a memory, we can relive that image only in our minds. Every afterimage is unique and can’t be captured by any form or technique we have available at the time. Studying this afterimage therefore becomes an exercise in studying its effects, its lingering traces on the people that experienced them.

Klaartje Lesage is seeking a sense of tranquility and stillness in the overwhelming amount of images to become more aware of the act of looking itself. With a pinhole camera as a reflection-instrument she went for walks in natural environments where human presence is minimal so she could take the time and open her senses. This viewing and photographing experience caused a contemplative effect, which she tries to convey in this book.

By combining the reading positions of the human body with the ‘Sun Salutation’ Yoga practice, this chapter of ‘A USER GUIDE TO YOUR POTENTIAL ENERGY’ will discuss how to concentrate on reading while stimulating the body for a better circulation of energy.

READING IS AN ACT FOR GAINING EXTRA ENERGY TO YOUR BODY
Mens sana in corpore sano Healthy Mind In A Healthy Body

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A mark in time, grabbed from the ever-changing constant
A movement from observation to attraction
A want to collect – not to own an entirety, but to accentuate the parts
An attempt at molding the infinite
A crystallization of clicks

¶#0 consists solely of texts and images found on the online collaborative encyclopedia Wikipedia. This publication, which is the first in the series, has many authors and we’d like to thank every one of them. It is assembled by Jan-Pieter ‘t Hart, designed by Tjobo Kho and published by outline.jetzt. It is riso-printed in an edition of 150. ¶#0 was made in May 2020.

ISBN 9789491003110

‘Nobody Remembers a Shapeshifter’ is simultaneously the title of a fashion show, the password to enter the show’s venue, and the title of this book. The fashion show that lacked a fashion collection served as an exhibition context for the participants of the Werkplaats Typografie. Each participant contributed to the expanded format of the fashion show, creating work that existed specifically within the support structure: from online platforms to wayfinding on the street, from coordinated services to spatial interventions, from the ferry dock to the catwalk.

This publication is an extension of the show, a premeditated afterthought expanding on the collective gesture and individual efforts of Andrea Salerno, Austin Redman, Darío Dezfuli, Frédérique Gagnon, Gerardo Madera, Hannah Sakai, Jannete Mark, Loes Claessens, Maria Smit, Mariana Lobão, Michelle Lin, Michiel Terpelle, Mirjam Reili, Miron Galić, Moriz Oberberger, Nicha Keeratiphanthawong, Rebecca Metzger, Sangah Shin, Sarah Cleeremans, Simona Koutná, Susan van Veen and Tabea Nixdorff. Written review by Constant Dullaart.

Fantasma is a publication inspired by the relationship of what is called “paranormal encounter” with a decoded frequency. In this book, the collaborators act as mediums of these encounters and use graphic works to represent their experiences.

Contributions by: Paul Elliman; Carlos Amorales; Experimental Jetset
; Elsa-Louise Manceaux
; Enrique Arriaga
; Armand Mevis;
Isaac Olvera

Printed at silvestre
Stencil print
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Real-Time Realist is a serial publication of J-LTF PRESS. This issue of Real-Time Realist explores Ecstasy, Joy, Serenity, and Love, The Yellow Wheel, with contributions from invited artists distilling the aforementioned emotions.

Editors: Jungmyung Lee, Lieven Lahaye
Design: Jungmyung Lee
Contributors: Kasia Fudakowski, Paul Haworth, Carla & Karlis, Arvo Leo, Angharad Williams, Jaakko Pallasvuo, Lieven Lahaye, Nolwenn Salaün, Mikko Varakas, David Bennewith, Anders Frederik Steen and Jean-Marc Brignot, Josse Pyl, and Jungmyung Lee

An eternal love triangle is a undefined polygon between the emotional location of the Sauna, the Attic and the Basement in the WT building. Sauna is known for her self-conscious misty beauty reflecting weekly on a white surface of hot pixels. Above the kitchen the ghosted mystical Attic resides and senses the passing of time on a frequency of 91FM hoping it to reach Sauna to confess her everlasting love. Sadly they have never met since Sauna already had her own sound. Attic makes the attempt to meet with Sauna in the Basement to finally expose him love and show Sauna what she always missed. A poly amore.

DAI PUBLICATIONS is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). As of 2006 the series is supervised by an annually appointed collection editor; for 2011, visual artist Rebecca Sakoun. The 2011 edition consists of 16 publications.
This artist publication attempts to give shape to a long-lived rumour that has been in circulation for the last hundred years, concerning a copy of the Rijksmuseum building in Amsterdam called the Helix which is located in Maasmechelen, Belgium. This rumour never made it’s way to Amsterdam. The publication consists out of two parts, the first being a script or play inspired by and based on a meeting between two gentlemen who are both connaisseurs of either building. In coffee and fruitcake they meet in a piano showroom across the street from the so-called Copy, where they excavate the relationship established by the existence of this unofficial knowledge. In the three acts of this script laughter is used in a formal sense to surface latent feelings and a complex relationship embedded within this particular history where this history is not fixed but rather a daily practice. The general story line is supported on findings from prior research into five different archives, both in the Netherlands and Belgium, part of which is included in the publication.

In between Visible/Invisible is a publication published on July 2011, and is based on a project called Invisible City(In between Visible/Invisible), which is a photographic exploration, realized in December 2010. For this publication researcher, writer and documentary maker on civil liberties works Rick Van Amersfoort and researcher, writer Nishant Shah were invited to write a contribution.

Impossible calibrations of an imaginary Sherry is an artist book, it consists out of photographs taken of a miniature model with a darkroom on the left side that connects to an artist studio on the right. The Maquette itself is inhabited by an imaginery version of a person who is dealing with issues that refer to the concept of this book. The book comes with a little magnifier glass to enable the viewer to see more details.

Thesis project of Dries Wiewauters and part of collected works (supervised by Paul Elliman). Affine Transformations is an attempt to consolidate his views about a frequently overlooked step in the history of typography: the Pantograph. A Pantograph is an instrument that can duplicate plans and drawings to an adjustable scale. For the history of type design this meant that a design no longer had to be manually cut and interpreted by a punchcutter, but could easily be copied to an adjustable scale. The design of this thesis is a play with the standardized academic essay. These cheaply bound, A4 publications are normally typeset in the system-font chosen by the university. This publication is typeset in Timeless, an iteration of the ubiquitous Times. The text is printed on a paper-stock reminiscent of standard copy paper, whilst the images are printed on silk paper. With a pantograph and a red marker the skeleton of the Pantograph was transferred to each individual cover. All the sheets were then shuffled, folded vertically and stapled.

A publication with texts by Ian Forsyth & Jane Pollard, Lady Equitone and Taf Hassam as part of the Publications Project, which is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.

The publication is a reproduction of a painting by Izabela Ołdak in a form of a book. The painting was artist’s diary which had been created in Holland and Poland in a period of one year. The form of the book allows to recreate the paining in new contexts.
It is part of the Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.